|At Newcastle Ocean Baths © Paul Foley. Fine Art Gallery|
'Today, an amazing picture can be swiped away in seconds. To stand before an impactful, well crafted print is to experience the soul of thoughtful photography.'
My first attraction to photography was through the pages of 1970’s surf magazines. Inspired, I saved for a Pentax and a cheap 400mm lens then began photographing my friends surfing. I was full of teenage ambition of seeing my pictures on a magazine’s page.After a week of waiting, the Kodachromes would come back from processing. I would project the best on my bedroom wall, imagining them as magazine covers with mastheads and headlines.Between the mid '70's and '80's there was some limited publishing success. But even more fun and adventure travelling to various surf locations around the world.Travel opened my photographic soul - it encouraged me to better understand my craft. I discovered (and devoured) the images and teachings of Ansel Adams. Practical instruction came via many workshops conducted by contemporary masters of photography. I was also fortunate to receive some mentoring from iconic Australian photographer, David Moore.This mix of 'on page' and in person tuition taught me to photograph with precise techniques and greater reflection. In time I would make photographs using only large and medium format cameras.Later on, I settled into a professional photography career in Newcastle, Australia. Commissioned by local, national and international clients I was a busy pro. All the while though, I made pictures for me. Everyone needs a hobby as a break from everyday work and for me that hobby was photography.Ten years ago I almost permanently lost my sight after eye surgery. It took two years for my eyes to recover and then several more to come to terms with the associated depression. Even now I am somewhat limited by the amount of commissioned work I can comfortably undertake.The recovery period gave me more time for my ‘hobby’. I used it to express how that smeared vision, in the months immediately after the surgery, filtered the world. Now, with eyesight repaired, I still find myself drawn to disguising scenes and details with blur and motion.I make pictures to express how light and shadow shape my creativity. While I do photograph single experiences or light events, I am most attracted by the coast and the horizon for inspiration.I call my process ‘finding pictures’ and it may help explain my eclectic range of subjects. It grows from an inquisitive interest in the human condition as well as a passionate search for light.I am also an avid user of Instagram - @lightmoods - @blurrytravels . It satisfies my impulsive creative urges and trains my eye to find pictures in everyday scenes.You may first see my photographs electronically and that might be the only way you experience them. Which is as it is in 2016. My process, though, is only complete when it is before the viewer as a print - it is the essential finale.Photography isn't real for me until I can feel it. It is the tactile confluence of light and shadow - when I am ’holding the pixels’.